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1993: Marianne de Tolentino - "En el Museo de Arte Moderno Silvia Brewda", Diario Listin, República Dominicana

The artist places us and herself in a kind of postmodernism, with her classic columns, her impossible but verosimile perspectives (totally different to those of Escher), her “baroque” geometries (sorry for the paradox). There is an architectural end even a town-planner’s approach in her iconography.